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Vestiges of twelve-tone practice as compositional process in Berio’s "Sequenza I" for solo flute : Berio’s reworking of the "Sequenzas"

Priore, Irna
Vestiges of twelve-tone practice as compositional process in Berio’s "Sequenza I" for solo flute : Berio’s reworking of the "Sequenzas"
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp.191-208
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