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Rough romance : "Sequenza II" for harp as study and statement

Submitted by lsantacesaria on Sun, 04/07/2010 - 13:04
in
Whatley, Kirsty
Rough romance : "Sequenza II" for harp as study and statement
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 39-52
Related work or works: 
Sequenza II

Proliferations and limitations : Berio’s reworking of the "Sequenzas"

Submitted by lsantacesaria on Sun, 04/07/2010 - 13:00
in
Venn, Edward
Proliferations and limitations : Berio’s reworking of the "Sequenzas"
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 171-187

Dallapiccola-Berio : esthétiques et stratégies opératiques dans "Ulisse" et "Outis"

Submitted by lsantacesaria on Sat, 03/07/2010 - 13:00
in
Stoianova, Ivanka
Dallapiccola-Berio : esthétiques et stratégies opératiques dans "Ulisse" et "Outis"
Journal/Misc. volume: 
Luigi Dallapiccola nel suo secolo
Publisher: 
Olschki
City: 
Firenze
Year: 
2007
Pages: 
pp. 367-393
Related work or works: 
Outis

The "Chemins" series

Submitted by lsantacesaria on Sat, 03/07/2010 - 12:48
in
Roberts, Paul
The "Chemins" series
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 117-136
Related work or works: 
Chemins I
Chemins II
Chemins IIb
Chemins IIc
Chemins III
Chemins IV
Chemins IV
Chemins V

Vestiges of twelve-tone practice as compositional process in Berio’s "Sequenza I" for solo flute : Berio’s reworking of the "Sequenzas"

Submitted by lsantacesaria on Sat, 03/07/2010 - 12:44
in
Priore, Irna
Vestiges of twelve-tone practice as compositional process in Berio’s "Sequenza I" for solo flute : Berio’s reworking of the "Sequenzas"
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp.191-208
Related work or works: 
Sequenza I

A polyphonic type of listening in and out of focus : Berio’s "Sequenza XI" for guitar

Submitted by lsantacesaria on Sat, 03/07/2010 - 12:41
in
Porcaro, Mark D.
A polyphonic type of listening in and out of focus : Berio’s "Sequenza XI" for guitar
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 255-274
Related work or works: 
Sequenza XI

Luciano Berio, Komponist : »In my end is my music« : Texte & Materialien

Submitted by lsantacesaria on Sat, 03/07/2010 - 12:40
in
Musiktriennale Köln 2007
Luciano Berio, Komponist : »In my end is my music« : Texte & Materialien
Publisher: 
Pfau
City: 
Saarbrücken
Year: 
2007

The compass of communications in "Sequenza VIII" for violin

Submitted by lsantacesaria on Sat, 03/07/2010 - 12:33
in
Montague, Eugene
The compass of communications in "Sequenza VIII" for violin
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 137-152
Related work or works: 
Sequenza VIII

Shadow boxing : "Sequenza X" for trumpet and piano resonance

Submitted by lsantacesaria on Sat, 03/07/2010 - 12:29
in
Impett, Jonathan
Shadow boxing : "Sequenza X" for trumpet and piano resonance
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 83-96
Related work or works: 
Sequenza X

Provoking acts : the theatre of Berio’s "Sequenzas"

Submitted by lsantacesaria on Sat, 03/07/2010 - 12:07
in
Halfyard, Janet K.
Provoking acts : the theatre of Berio’s "Sequenzas"
Journal/Misc. volume: 
Berio’s "Sequenzas" : essays on performance, composition and analysis
Publisher: 
Ashgate
City: 
Aldershot
Year: 
2007
Pages: 
pp. 99-116