Sequenza IV
Sequenza IV
Anno di composizione:
1966
Anno di fine composizione:
1966
Organico:
piano
Dedica:
Written for Jocy de Carvalho
Durata:
9'
Prima esecuzione:
1966, St. Louis. J. de Carvalho
Editore:
Universal Edition
Numero di edizione:
33012
Discografia
- Luciano Berio / Chamber music
- Luciano Berio / The complete sequenzas ; The complete alternate sequenzas and works for solo instruments; with verses by Edoardo Sanguineti
- Luciano Berio / Complete piano works
- Sofferte onde serene
- Luciano Berio / Piano music
- Luciano Berio / Piano works
- Chamber music : 1957-1980
- Sequenzas : first complete recording
- Berio – Différences, Sequenza III & IV, Due Pezzi, Chamber Music
- The complete works for solo piano
- Luciano Berio / The complete sequenzas ; The complete alternate sequenzas and works for solo instruments; with verses by Edoardo Sanguineti
- Luciano Berio / Complete piano works
- Sofferte onde serene
- Luciano Berio / Piano music
- Luciano Berio / Piano works
- Chamber music : 1957-1980
- Sequenzas : first complete recording
- Berio – Différences, Sequenza III & IV, Due Pezzi, Chamber Music
- The complete works for solo piano
Bibliografia
- Aspetti della musica pianistica di Berio
- Theories of chordal shape, aspects of linguistics, and their roles in structuring Berio's Sequenza IV for piano
- Aspects of post serial Stucturalism in Berio’s “Sequenza IV” and “VI”
- Luciano Berio, "Sequenza IV (1965). 6 Encores"
- La Sequenza IV pour piano de Luciano Berio: dialogue d'un compositeur et du clavier au XXème siècle
- Il pianoforte di Berio: glosse a "Sequenza IV"
- Phantom rhythms, hidden harmonies : the use of the "sostenuto" pedal in Berio’s "Sequenza IV" for piano, "Leaf" and "Sonata"
- Sonic complexity and harmonic syntax in "Sequenza IV" for piano
- Berio’s "Sequenza IV" : approaches to perfomance and interpretation
- Experiment and discourse: Luciano Berio’s “Sequenze”
- «I have never tried to alter the nature of the instrument...». Luciano Berio's concept of musical instrument in the Sequenzas
- Les XIV Sequenze de Luciano Berio
- Theories of chordal shape, aspects of linguistics, and their roles in structuring Berio's Sequenza IV for piano
- Aspects of post serial Stucturalism in Berio’s “Sequenza IV” and “VI”
- Luciano Berio, "Sequenza IV (1965). 6 Encores"
- La Sequenza IV pour piano de Luciano Berio: dialogue d'un compositeur et du clavier au XXème siècle
- Il pianoforte di Berio: glosse a "Sequenza IV"
- Phantom rhythms, hidden harmonies : the use of the "sostenuto" pedal in Berio’s "Sequenza IV" for piano, "Leaf" and "Sonata"
- Sonic complexity and harmonic syntax in "Sequenza IV" for piano
- Berio’s "Sequenza IV" : approaches to perfomance and interpretation
- Experiment and discourse: Luciano Berio’s “Sequenze”
- «I have never tried to alter the nature of the instrument...». Luciano Berio's concept of musical instrument in the Sequenzas
- Les XIV Sequenze de Luciano Berio