OPERE
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Anno | Titolo | ||
---|---|---|---|
1980 | La vera storia | Azione musicale in 2 parti | soloists, actors, choir and orchestra |
1978 | Encore | orchestra | |
1978 | Siete Canciones populares españolas | De Falla – Berio | mezzo-soprano and orchestra |
1977 | Ritorno degli snovidenia | violoncello and 30 instruments | |
1976 | Sequenza VIII | violin | |
1976 | Coro | 40 voices and instruments | |
1976 | Cries of London | 8 voices | |
1976 | Les mots sont allés ... | 'Recitativo' pour cello seul | violoncello |
1975 | a - ronne | for 8 singers | 8 singers |
1975 | Chants parallèles | electronic sounds on tape | |
1975 | Chemins IV | (su Sequenza VII) | oboe and 11 strings |
1975 | Chemins IV | (su Sequenza VII) | soprano saxophone and 11 strings |
1975 | Diario immaginario | Radio work | electronics |
1975 | Fa - Si | organ (with registration assistants) | |
1975 | Quattro versioni originali della Ritirata Notturna di Madrid di L. Boccherini | Boccherini – Berio | orchestra |
1974 | a - ronne | a radiophonic documentary for five actors | 5 actors |
1974 | Calmo | (in memoriam Bruno Maderna) | mezzo-soprano and 22 instruments |
1974 | Eindrücke | orchestra | |
1974 | Musica Leggera | flute, viola, violoncello and tambourine | |
1974 | Per la dolce memoria di quel giorno | Ballet after Petrarca's "I Trionfi" | electronic and instrumental sounds on tape |
1974 | points on the curve to find... | piano and 22 instruments | |
1973 | Concerto | 2 pianos and orchestra | |
1973 | Linea | 2 pianos, vibraphone and marimba | |
1972 | Chemins IIc | bass clarinet and orchestra | |
1972 | E vó | Sicilian Lullaby from "Opera" | soprano and instruments |